Home Technology The Man Who Coined The Phrase “Robotic” Defends Himself

The Man Who Coined The Phrase “Robotic” Defends Himself

The Man Who Coined The Phrase “Robotic” Defends Himself


You’re aware of Karel Čapek, proper? If not, you have to be—he’s the man who (alongside along with his brother Josef) invented the phrase “robotic.” Čapek launched robots to the world in 1921, when his play “R.U.R.” (subtitled “Rossum’s Common Robots”) was first carried out in Prague. It was carried out in New York Metropolis the subsequent 12 months, and by the 12 months after that, it had been translated into 30 languages. Translated, that’s, aside from the phrase “robotic” itself, which initially described synthetic people however inside a decade of its introduction got here to imply issues that had been mechanical and digital in nature.

Čapek, it seems, was a little bit miffed that his “robots” had been so hijacked, and in 1935, he wrote a column within the Lidové noviny “defending” his imaginative and prescient of what robots needs to be, whereas additionally resigning himself to what they’d turn out to be. A brand new translation of this column is included as an afterword in a brand new English translation of R.U.R. that’s accompanied by 20 essays exploring robotics, philosophy, politics, and AI within the context of the play, and it makes for fascinating studying.

R.U.R. and the Imaginative and prescient of Synthetic Life is edited by Jitka Čejková, a professor on the Chemical Robotics Laboratory on the College of Chemistry and Know-how Prague, and whose analysis pursuits arguably make her probably the most certified individuals to write down about Čapek’s perspective on robots. “The chemical robots within the type of microparticles that we designed and investigated, and that had properties just like dwelling cells, had been a lot nearer to Čapek’s unique concepts than every other robots right now,” Čejková explains within the e-book’s introduction. These microparticles can exhibit surprisingly advanced autonomous behaviors underneath particular conditions, like fixing easy mazes:

“I began to name these droplets liquid robots,” says Čejková. “Simply as Rossum’s robots had been synthetic human beings that solely appeared like people and will imitate solely sure traits and behaviors of people, so liquid robots, as synthetic cells, solely partially imitate the conduct of their dwelling counterparts.”

What’s or will not be referred to as a robotic is an ongoing debate that almost all roboticists appear to attempt to keep away from, however personally, I admire the concept very broadly, a robotic is one thing that appears alive however isn’t—one thing with impartial embodied intelligence. Maybe the requirement {that a} robotic is mechanical and digital is too strict, though as Čapek himself realized 100 years in the past, what defines a robotic has escaped from the management of anybody, even its creator. Right here then is his column from 1935, excerpted from R.U.R. and the Imaginative and prescient of Synthetic Life, launched simply right now:


By Karel Čapek

Printed in Lidové noviny, June 9, 1935

I do know it’s a signal of ingratitude on the a part of the writer, if he raises each palms in opposition to a sure reputation that has befallen one thing which is named his religious brainchild; for that matter, he’s conscious that by doing so he can not change a factor. The writer was silent a goodly time and stored his personal counsel, whereas the notion that robots have limbs of metallic and innards of wire and cogwheels (or the like) has turn out to be present; he has discovered, with none nice pleasure, that real metal robots have began to look, robots that transfer in numerous instructions, inform the time, and even fly airplanes; however when he not too long ago learn that, in Moscow, they’ve shot a serious movie, by which the world is trampled underfoot by mechanical robots, pushed by electromagnetic waves, he developed a robust urge to protest, a minimum of within the title of his personal robots. For his robots weren’t mechanisms. They weren’t fabricated from sheet metallic and cogwheels. They weren’t a celebration of mechanical engineering. If the writer was pondering of any of the marvels of the human spirit throughout their creation, it was not of expertise, however of science. With outright horror, he refuses any accountability for the thought that machines might take the place of individuals, or that something like life, love, or revolt might ever awaken of their cogwheels. He would regard this somber imaginative and prescient as an unforgivable overvaluation of mechanics or as a extreme insult to life.

The writer of the robots appeals to the truth that he should know probably the most about it: and due to this fact he pronounces that his robots had been created fairly otherwise—that’s, by a chemical path. The writer was enthusiastic about fashionable chemistry, which in numerous emulsions (or no matter they’re referred to as) has situated substances and types that in some methods behave like dwelling matter. He was enthusiastic about organic chemistry, which is consistently discovering new chemical brokers which have a direct regulatory affect on dwelling matter; about chemistry, which is discovering—and to some extent already constructing—these numerous enzymes, hormones, and nutritional vitamins that give dwelling matter its potential to develop and multiply and prepare all the opposite requirements of life. Maybe, as a scientific layman, he would possibly develop an urge to attribute this affected person ingenious scholarly tinkering with the power to at some point produce, by synthetic means, a dwelling cell within the check tube; however for a lot of causes, amongst which additionally belonged a respect for all times, he couldn’t resolve to deal so frivolously with this thriller. That’s the reason he created a brand new type of matter by chemical synthesis, one which merely behaves quite a bit just like the dwelling; it’s an natural substance, totally different from that from which dwelling cells are made; it’s one thing like one other different to life, a fabric substrate by which life might have developed if it had not, from the start, taken a special path. We would not have to suppose that each one the totally different prospects of creation have been exhausted on our planet. The writer of the robots would regard it as an act of scientific dangerous style if he had introduced one thing to life with brass cogwheels or created life within the check tube; the way in which he imagined it, he created solely a brand new basis for all times, which started to behave like dwelling matter, and which might due to this fact have turn out to be a automobile of life—however a life which stays an unimaginable and incomprehensible thriller. This life will attain its success solely when (with assistance from appreciable inaccuracy and mysticism) the robots purchase souls. From which it’s evident that the writer didn’t invent his robots with the technological hubris of a mechanical engineer, however with the metaphysical humility of a spiritualist.

Nicely then, the writer can’t be blamed for what could be referred to as the worldwide humbug over the robots. The writer didn’t intend to furnish the world with plate metallic dummies filled with cogwheels, photocells, and different mechanical gizmos. It seems, nonetheless, that the trendy world will not be keen on his scientific robots and has changed them with technological ones; and these are, as is clear, the true flesh-of-our-flesh of our age. The world wanted mechanical robots, for it believes in machines greater than it believes in life; it’s fascinated extra by the marvels of expertise than by the miracle of life. For which cause, the writer who wished—by means of his rebel robots, striving for a soul—to protest in opposition to the mechanical superstition of our occasions, should in the long run declare one thing which no person can deny him: the honour that he was defeated.

Excerpted from R.U.R. and the Imaginative and prescient of Synthetic Life, by Karel Čapek, edited by Jitka Čejková. Printed by The MIT Press. Copyright © 2024 MIT. All rights reserved.


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